本书力图考察法国古典主义喜剧的代表作品——莫里哀喜剧，是如何通过翻译、演出和批评等诸种文化中介，深刻地影响到20世纪中国话剧的生成与发展的，从而在更广泛的意义上思考中国话剧史、中国文学史中的某些跨文化问题。
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