本书着重解读彩陶,将远古华族的祭祀文明得以进一步的考证,以更进一步地加深了古埃及学及民俗学研究的深度。全书分为华族的记忆、颛顼、尧、共工四个部分。在经过十多年对大量岩画的研究,方知那些被今人所称的岩画,实为中华民族远古时期祭祀的圣书。也就是,汉字在大谐声时期的形态。岩画,是具有年代层叠性的史书,记载着中华民族在商周以前祭祀华族古帝的史实。因此,准确地说,应该称之为岩文。This book, focusing on the interpretation of colored pottery, further verifies the sacrifice culture of the primitive Chinese, so as to further deepen the research and study of the ancient Egyptology and folklore. It contains four parts: memory of the Chinese, Zhuanxu (a legendary monarch in ancient China), Yao (a legendary monarch in ancient China), and Gong Gong (also a legendary monarch in ancient China, the offspring of Yan Emperor). After more than ten years of study on numerous cliff paintings, the author finally figures out that the so-called cliff painting is actually the sacred text for sacrificing in the remote antiquity, namely the Chinese character in the Great Harmonic Era period. Cliff paintings are age-overlapping history books, recording the historical facts worshiping the ancient emperor before the Shang and Zhou Dynasty. So to be exact, they are cliff text.
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